The uniform, the palette, the recurring motif, the rule the artist refuses to break. This section is about the decision, and about who made it: the photographer, the art director, the stylist, the designer. They are almost never on the press release.

The Tokyo four-piece send journalists a written document called the Unified Vision. The blacked-out shades, the Matrix-green flyers and the strobe-blind live set all descend from it, which is the correct order to do this in and almost nobody does.

White shirt, black tie, checkered miniskirt, white socks. Six years of one outfit, treated as armour, and then removed for the one image that matters most.

Roomer have handled their own promo images and covers from the start. Luka Aron also composes a scent to go with each album, which is either a gimmick or the most complete world-building on this page.

A deliberately grey retro-sci-fi world, guerrilla street scenes, and a mating dance choreographed to be bad on purpose. The director is unusually clear that the flatness is the point.

Crack calls her studio "a cave of clay creations, puppets and colours wired straight from the subconscious". She makes the objects in her world herself, which is why it does not look like anyone else's.

Red, white and navy as a permanent visual constraint, with titles drawn from Thai words for purgatory and hell on earth.